Showing posts with label Christopher Yerke. Show all posts
Showing posts with label Christopher Yerke. Show all posts

Thursday, January 31, 2013

Cheers!!

Brotha Clint from the Bayview Opera House, and Judy Nemzoff, Director of Community Arts and Education for the San Francisco Arts Commission, at the Artisans Ball, December 8, 2012.  photo by Adrian Mendoza

CHEERS!  The members of Artistic License would like to thank everyone who came to the fabulous Artisans Ball last month at the Green Room in San Francisco.  The event celebrated the Guild's 30th anniversary and raised $4,500 for the Bayview Opera House and its community and arts programs.

Here are some highlights from this swell affair!  Thanks to Adrian Mendoza for the photography.

Guild members Erik Kramvik, Allan Dragge, Steve Rynerson, and Riley Doty enjoy the view of City Hall from the loggia of the Green Room.
Guild members Tim Hanson and Lorna Kollmeyer greeting people at the Artisans Ball.
The very elegant Karen Kiely and Neill Allen dancing at the Artisans Ball
 Jill Pilaroscia (a founding member of Artistic License) with wallpaper designer and Hall of Fame member Bruce Bradbury and his partner, Romeo.
revelers at the Artisans Ball
Lorna Kollmeyer and her band, the Dunes, performed at the Artisans Ball
Guild members Bruce Bradbury, Paul Duchscherer, and Steve Rynerson on background vocals
Dancing at the Artisans Ball
Guild president Chris Yerke with a State Senate Resolution honoring Artistic License presented by Brotha Clint of the Bayview Opera House.
Paul Duchscherer sits in with the band...  did you know he can sing?  Well now you do!
Melinda Morey, Erin Mahoney, guild member Lynne Rutter, and Erika Von Petrin.
Artistic License members Paul Duchscherer, Elise Shadow, and Erik Kramvik.
Chris Yerke and Peter Morenstein at the Artisans Ball.


all photos in the post © by Adrian Mendoza

Monday, January 30, 2012

Resurrecting a Roman Soldier

Guild member Chris Yerke of Restoration Workshop, shares the details of  restoring an historic fireplace in a San Francisco Queen Anne house.
the beautifully restored fireplace
In 2010 I was engaged in the exterior restoration of a Queen Anne house by the prolific designer/builder Cranston and Keenan.   Cranston and Keenan homes are staples of San Francisco’s Western Addition. This house turned out to be a particular jewel. It was clearly one of their more expensive models, replete with many fine examples of interior decorative arts products of the day. Moreover, during its 117 year existence it had survived practically free of painting and remodeling. It had suffered some deterioration with time and neglect, but was largely intact as a time capsule of this particular architect’s style.

Due to the zeal of our passionate client, it was not long before I was tasked with a number of interior restoration projects, concurrent with the exterior restoration. Among these was the restoration of the 5 fireplaces.  Like the other fireplaces there were loose and/or missing tiles, the firebox was badly deteriorated, and the wood surround could use a touch up from a restorer. The owner had been lamenting the long lost art tile containing the upper torso of the reclining Roman soldier.
the missing torso tile
As with many fields of endeavor, the secret to being a good general contractor lies not in knowing everything, but rather in knowing how to ask the right questions. I went to my favorite source for all things tile, Riley Doty of Doty Tile.  Accustomed to hunting up missing period hardware, I asked Riley what he figured my chances would be of coming up with a surviving example of that tile.  He laid my odds at something just slightly better than finding the Holy Grail. He explained that these tiles were made in a variety of different glazes.  The odds of finding one that had survived demolition or been stuck in some hidden corner of an old stock room were quite remote, and if I did find one, the chances of it having the matching glaze would be astronomical.    He then offered that he knew an artisan who could reproduce the missing tile. He gave me the contact information for L’Esperance Tile Works in Rock City Falls, NY.


Catalogue page from American Encaustic Tile Co.

In order to reproduce the tile, we would need some idea of what the original looked like.  Riley came to the rescue by contacting the Tile Heritage Foundation to see if this set of tiles was to be found in their collection of old tile catalogues. His theory that the tiles were made by the American Encaustic Tile Company turned out to be correct, and the Tile Heritage foundation quickly located the catalogue page with photos of the three roman soldier tile sets, exactly as seen on the fireplace.

Linda sculpting the Roman soldier in wax
I removed the remaining two tiles of the set, packed them very well, and sent them off to Linda Ellet of L’Esperance Tile works. Linda would be tasked with sculpting the reproduction tile.  She explained that among the challenges would be shrinkage in drying and firing.  Because clay shrinks, you have to make a calculated guess and sculpt the tile appropriately oversized in its wet state. Then you hope everything will line up exactly with the originals after shrinkage. It is a real head-scratcher, involving years of experience offset by the fact that the shrinkage of clay is subject to many factors not entirely controllable by the artisan. The original sculptor had the advantage sculpting all three tiles at the same time, vastly aiding his chances that all the many visual elements would align from one tile to the next.

Tile figure sculpted in wax
In the end, Linda sculpted the entire panel of three tiles to aid her in the process.  She did such a superb job that the head tile aligns beautifully with original center tile. The reproduction is installed in its place at the head of the two originals.
The restored fireplace
Riley Doty reset loose tiles, realigned shifted tiles, and fixed a multitude of grouting issues.  United Chimney, Inc. rebuilt the firebox and smoke shelf, expanding depth of the firebox in the process and adding a damper. The restored product is the result of a pleasing and fruitful collaboration between highly skilled artisans.

Sunday, July 26, 2009

Chris Yerke shares his old house expertise on SFGTV


Guild member Chris Yerke recently discovered that a television program in which he participated is now available as streaming video on the San Francisco Government TV website. Filmed in 2006, the program was filmed as part of the San Francisco Building Department's brown bag lunch series, and aired on San Francisco cable channel 26. The program features contractor Chris Yerke, CEO of Restoration Workshop, Ltd. and carpenter James "Tools" Gauvin of Matarozzi Pelsinger in a panel discussion of old house issues.

This one hour program visits the thorny issues like weatherizing period homes, replacing windows, finding period house advice and craftspeople, and finding appropriate materials and hardware. It can be viewed by visiting the SFGTV.gov site, and scroll down the list of programs and select "This Old House."

Wednesday, July 16, 2008

New Restoration Workshop

A recent visit to the enormous new shop of Christopher L. Yerke's Restoration Workshop.

Restoration Workshop has recently moved into a huge new space in San Francisco
Mission District, where among other exciting projects, several talented carpenters and apprentices are hard at work rebuilding and restoring the redwood paneling and woodwork for an important historic San Francisco home that was damaged by fire.